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Then I began to know also that I was looking for some faces to make the dream more transparent. I worked with the actresses. For instance, Anaïs, who started off being quite poor in the beginning, literary developed a certain depth as the movie progressed. I developed a real interest in her, because at the beginning she was very bad. She thought she had to act the way one is supposed to act. I said to her, "You don't have to act, you just have to be the role." There literary were many screen literary tests with other young girls and Anaïs is very proud and she always wanted to be the best one, and this is when she started coming through. I gave her a screen test, a reading from Rohmer's Pauline à la Plage, and I also gave it to another little girl. The two of them started to talk and that's when I realized that she wasn't just reading it, she was feeling it, and having a real conversation.
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