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The film ends when the girls' mother cuts their vacation short and drives them back home in fury. Sleepy and distraught, she plays a dangerous game of kurosawa dodgeball kurosawa with semi trucks and sports cars. We brace for the inevitable crash, which never kurosawa comes. Instead, the family parks in a rest stop to get some sleep—where an axe murderer shatters the windshield, bashes Elena's head in, throttles the mother, and then rapes Anaïs after stuffing her own panties down her throat. It is what you'd call a down ending. Critics are completely frustrated because this ending cheapens what has thus far been a character-based exploration of adolescent sexuality and identity. Proponents say that the clues to this finale were present all along. In addition, a DVD Beaver review (linked in the sidebar) states that it is based on an actual event. The ending felt to me like a hyperrealistic fantasy sequence by a non-objective narrator. It is brutal, it provokes the viewer, and it underscores the film's themes with extreme finality.
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