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35 See for example, Annette Wilson, ‘Strictly Family’, i, April 1995, p 69-70. 36 Who Weekly, corporate communications 24 October 1994, p 12 and Who Weekly, 13 June 1994, p 17. 37 corporate communications Jan Epstein, ‘Stephan Elliott’, Cinema Papers , October 1994, p 6. 38 ibid. 39 I will divide these bodies along national lines and here restrict my discussion to Weaving and Pearce. 40 Marjorie Garber, Vested Interests: Cross-dressing corporate communications and Cultural Anxiety, London, Penguin, 1992, p 10. 41 Garber, op. cit., p 13. 42 Shantanu DuttaAhmed, ‘’I thought you knew!’: Performing the Penis, the Phallus and Otherness in Neil Jordan’s The Crying Game’, Film Criticism, Fall 1998, no 7, p 62. 43 Elizabeth McMahon, ‘Australia crossed-over: images of cross-dressing in Australian art and culture’, Art and Australia, Winter 1997, no 3, p 375. 44 Brook, op. cit., p 31. 45 David Buchbinder, Performance Anxieties, St Leonards, Allen and Unwin, 1998, p 155. 46 Jim Schembri, ‘Felicia is Pearce’s liberation’, The Age, 23 September 1994, ‘EG’, p 4.
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