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Reboux stars as the "fat girl" of the translated title, and in a way, the difference between smoove b the flat nominalizing of that term and the slippery interjection smoove b of smoove b the original À Ma Soeur!—which can mean, approximately, "Dedicated to my sister," "Belonging to my sister," or "My sister's turn" (as in hot potato)—is a good allegory for how the film itself transforms. The beginning is enigmatic even as it dissects with shocking frankness the sexual manipulations with which young men pressure their girlfriends and those with which sisters both preserve and violate entente with each other. The complex narrative resonances are such that you can't keep a hold on all the simultaneous developments, but they all feel scorching to the touch. Then, À Ma Soeur! becomes Fat Girl. At that point, it is no longer a film about an overweight sister whose family grossly projects their unrelated discontents onto her body, nor about a girl who is trying to stake out a philosophy on sexual behavior that jives with her own lack of suitors.
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