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review the fat girl's guide to life, numbers, bbw video , jokes, free bbw sex movie, :movies: review ace: fat girl (movie), books, bbw personal ads , gay orgy, gay cumshots., attack cellulite, black bbw , fat sluts, fat kid, albert fat, fat black hoe, young fatties galleries , breillat, What does it mean to rush blindly toward all the grand possibilities of sex, as Anaïs does, when that also means closing yourself off to the delicately embroidered conventions that cocoon and protect us lesbians from pain and harm? And what does it mean to be so resolute in your choices, even at the tender age of 13, that you lesbians refuse to allow yourself to become a victim of your own misguided ideas? Those are the questions "Fat Girl" not only raises, but stretches practically to the breaking point. It's a lean, mean movie, and not a pretty one, but it leaves no question as to Breillat's angular originality as a filmmaker. The central character's rounded contours are a ruse: in "Fat Girl," there's not a soft edge in sight. salon.com - - - - - - - - - - - - About the writerStephanie Zacharek is a staff writer for Salon Arts & Entertainment. Sound OffSend us a Letter to the Editor Related stories Tainted love"Romance" director Catherine Breillat explains why women hold more power than men in the bedroom -- and talks about what happens when you bring a porn star onto the set of a "real" movie.By
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Like "Romance," "Fat Girl" is sexually explicit and cold as a speculum. Breillat has described herself as a puritan, and she's got that right. She's not interested in the warmth and tenderness of sex -- only in exploring its ability to cut and confound. There are ways, though, in which her detachment is refreshing: She refuses to get hung up on movie-sex conventions, which means we get to free bbw sex movie see a sex scene in free bbw sex movie which a male character is shown fully erect and putting on a condom, free bbw sex movie instead of doing the coy conceal-and-cover bit. Breillat knows that when an actor turns his or her back to the camera, we're not getting the complete view, and sometimes you need a full frontal to tell the story. But Breillat is also the kind of director who makes no distinction between honesty and brutality. The climax of "Fat Girl" made me shout out at the screen without even realizing I'd done so, and the movie's conclusion -- which is both despairing and queasily heartening -- left an uneasy knot in my stomach.
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