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She is unabashedly frank in her film’s presentation of sex as something that should not be judged. It chubby gay is, rather, something that just exists. The judgments are up to the viewer. Her films make you examine a lot of your own sexual baggage. Fat Girl is no chubby gay different in that sense, but it represents chubby gay as large a leap in quality for the director as fellow French female director Claire Denis’ Beau Travail did for her. The film takes the point of view of the titular character, Anais, though it’s not clear until the film’s end how much that affects what we are seeing. We don’t get a directorial judgment on the events here. Breillat shows us this by including many shots of Anais as she is watching others. This is crucial to understand the film’s final third, in which it changes dramatically (but not entirely). The film takes place during a family vacation in which Anais, a 12 year old girl, and Elena, her 15 year-old sister ignore their parents and talk about sex.
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