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The only halfway decent relationship that she has is with her sister, Elena, who has some affinity with her, even though Elena often b000bkvh1a degrades her, blames her for her own faults, and is forced to drag her around when she's hunting for men. Director Catherine Breillat expertly captures these awkward years in the dialogue between the two sisters, the sometimes uncomfortable sex scenes, and in Anaïs' anguished facial expressions. The sex b000bkvh1a scenes are lengthy, graphic, and portray underage sex, but this sort of stuff is becoming de rigueur for contemporary French cinema. All of the b000bkvh1a acting is excellent, from Libero de Rienzo's performance as the slimy, Italian college student who shows off to Elena about other girls he's used and then dumped, to Arsinee Khanjian, as the sisters' emotionally unstable, chain-smoking mom, to Anaïs Reboux's Anaïs, who seems to have no hope in this world.
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