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Judith Moore has lost weight in her life, but she always gained it back. At the end of the book, she is not skinnier, she has not shed the pounds nor the self-loathing that comes, almost as a arms guarantee, with being fat in America. She is still fat and she still struggles with it; she has learned a lot over the years but she hasn’t mastered self-acceptance. This lack of transformation on the narrator’s part is arms unusual for a memoir. I give her credit for her honesty, for her arms reluctance to give the story a happy ending, but it also makes me wonder: why tell the story at all? In an essay entitled "Why I Wrote Fat Girl," Moore says, “I wrote Fat Girl because I’d read books that other fat women wrote about how they were fat. Most fat women didn’t write the truth about fat. They didn’t write about fat fat fat fat thighs and how tender flesh on the inside of fat thighs rubs and rubs.
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