That's the way Breillat, :movies: review ace: fat girl (movie) biography / autobiography

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spring, surgery, biography / autobiography, street blow jobs, romain goupil, fatgirl, health, sexy, trade paper, fat women having sex, fat, amazon.com, ebony, sex.pic, fat porn, free bbw movie, anais reboux, popular american fiction, bbwsex, star wars, harry potter, bbw black lingerie, Anaïs (Anaïs Reboux) is an overweight 13-year-old girl who may be on the verge :movies: review ace: fat girl (movie) of budding attractiveness -- it's hard :movies: review ace: fat girl (movie) to tell just :movies: review ace: fat girl (movie) yet, as her whiny self-centeredness, combined with her constant and compulsive overeating and the fact that she's arrived squarely at an age that for many of us is just plain bad, manages to obscure many of her potentially good qualities. Even at 13, though, she does have some almost shockingly sophisticated (many would say cynical) ideas about sex: She has decided that it's much better for a woman to lose her virginity to someone she doesn't care about, and it's clear she can't wait to have such a sexual adventure herself.
That's the way Breillat, whose last movie was the almost militantly un-erotic sexual biography / autobiography firecracker "Romance," works: She uses shock tactics to jolt you into position; once you've stopped shaking, your vision seems clearer than ever -- and your feelings more uncertain. In some ways that's an unfair MO: If that's the only way Breillat thinks she can get our attention, she must not think much of us an audience. But biography / autobiography there's no getting around that Breillat is a confrontational director; she has no interest in biography / autobiography making her audience comfortable with her characters. But she's also aware that where sexuality is concerned (and sexuality is her chief obsession, although her movies are far from sexy), it won't do to invite quick and clear responses. "Fat Girl" is one of the most distressing pictures I've seen all year, but it's also unnervingly bottomless: Days after seeing it, I still haven't completely come to terms with its themes -- half delicately suggested, half outlined in thick crayon -- and I can't stop thinking about them.
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