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The car ride home stars grows increasingly nightmarish as they speed toward the film’s horrific final confrontation, for the first time explicitly suggesting that the world is a projection of Anais’ state of mind. The film doesn’t really offer a concrete reason for its events, but it suggests that stars a lot of the girls’ anxieties are caused by society. They are shown in stars one scene watching an interview with a Breillat-like woman on television speaking about sexuality. They don’t seem to have much interaction with their parents, so the implication seems to be that society as a whole has educated them about sex. Perhaps, we are to see Anais’ anxieties as a problem of society. The film’s climax hurtles her toward another more explicit societal problem with absolutely shocking results. Somehow, Anais manages to predict her own fate and at the same time seal it. We are meant to be shocked by the film’s ending, but the suggestion that things have happened exactly as the Fat Girl wanted is even more provocative.
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