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top story, illustrated, hot wife, blackboobs, the fat girl's guide to life (book) / book reviews, general, risks, ending, fat man ozone singing video, buy, bellaonline, horse sex women., recipes, kinky lesbians, fatgirl criterion collection, reality sex., anime rape, god, minors, virtual reality porn, apriljohnson, kinkydoctor, | be with a nobody." No sooner voiced than done, Elena in record speed, despite all requisite second-thinking, gives herself over to the uncannily accurate persuasions of a foreign law student/Lothario (Libero di Rienzo as Fernando), while Anaïs, wishing for sleep in the lesbian manga. next bed, cannot help but wince at every bad line of his and lesbian manga. every painful moan from the mouth of her sister, succumbed. But in the daylight hours, lesbian manga. the tables turn, and with the almost too obvious visual link between fellatio and gorging on a baguette, it is Elena who looks on with disgust as Anaïs engages in her own sensual subjugation, piling her plate high with potato salad, chewing endlessly on mock phallic sweets, and lathering herself with whipped lotion, before playing at being indecisive seductress alone in the water between alternate ways out. Breillat's directorial hand is less a poet's than a polemicist's, her cinematic efforts more declarative than lyrical, and visual subtlety is not her strong suit (from banana splits to erect penises). |
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I daresay no one can sit through this film without at least a passing discomfiture. If not harrowed by the repetitive, comparative, underage nudity or the ill-matched sonorities of pain and pleasure in extended seedy seduction, one is nonetheless likely haunted by the naked resignation of a young girl's self-awareness minors and the unnerving echo of a song of longing where the wishing does come true. The characters within whom and upon whom all this plays out are two young girls at the edge of adolescence and the height of vulnerability: Anaïs, 12 years old and minors not quite popularly svelte (Anaïs Reboux in a remarkably believable performance), and her 15-year-old sister, Elena (Roxane Mesquida), with a perfectly standard beauteous shape. It is summer vacation time, and anxious for initiation into the rites of passage, both girls, as the cliché goes, are looking for love in all the wrong places. The screenplay does not dawdle: opening with a child's eerily unchildlike song, the film takes us immediately to the girls in full motion, theorizing about the best ways to lose their virginity: Elena, imagining sex as love, and Anaïs believing detached sensuality an act of empowerment - "The first time," she resolves with uncynical matter-of-factness "should |
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