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| fat pie.com, 100, video on demand content., moviedatabase, film, porno, bbw cock sucking, :movies: review ace: fat girl (movie), world, teengangbang, cameraphones, marijuana, attack, bbw party pic, dvd, quotes, babe, chubby italian teen, chubbyteen, women, | Though this is the longest and most rigorous example, the film is full of scenes like this, triangular groupings of characters inflicting or evading each surgery others' surveillance, while the parents who have theoretically imposed a rigid discipline on the girls see nothing. Spatial relations draw attention to themselves, as do the symbolic resonances of the settings (chopped woods, dunes etc.). The filming is deliberately unshowy, often flat. Narrative proceeds by a looping pattern, the same characters shifting positions in surgery similarly-set surgery scenes. So rarefied and artificial is this milieu, that when reminders of the outside world intrude, such as financial worries, it is shocking. And this is where the film becomes especially brilliant. |
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| Unlike 'Intimacy', whose gauche attempts at realism destroyed its credibility, Breillat insists on formality and artifice, from the summer holiday setting, with its two heroines 'locked up' in a chalet that, with its guards, gates, bars, curfews seems like :movies: review ace: fat girl (movie) a high security prison; to the ritualistic manner in which characters negotiate sex; :movies: review ace: fat girl (movie) to Breillat's awesomely complicated filming apparatus. The film's coup-de-theatre is a lengthy scene in which Elena sneaks in her boyfriend to the bedroom she shares with a sister she assumes is asleep. Not only is the viewer faced with :movies: review ace: fat girl (movie) the problematics of staring at the naked, fetishised body of a minor, and the increasingly grotesque and hypocritical attempts of her lover to seduce her; not only is the framing unflinchingly static, with the odd, sinisterly creeping movement, and the tight compositions forcing the two lovers into an airless claustrophobia; but our voyeurism is shared by our knowledge of the mostly unseen gaze of the younger girl looking on. |
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