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Fernando's games are familiar and the genius of this twisted sequence is the way Breilliat dares the spectator to buy into the boy's lies. Fernando, though clearly controlled by his rock-hard erection, professes his love for extreme Elena. His persistence is perhaps as tiresome to us as extreme it is to him, but is extreme there a chance that he may be earnest? Elena clearly thinks so. Fernando chips away at the girl's safeguard during a remarkable sequence that threatens to go on forever—or at the very least until the girl caves in to the pressure. The curious and judgmental Anaïs watches as Fernando penetrates Elena from behind. The next morning, he longs for oral sex—for him, the next step toward Elena's vagina. These are three characters on a sexual journey, and if I can force a connection between this sequence and the film's monster-trucks sequence, only the passive Elena is riding shotgun.
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