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| chubby fucking, find, men, psychological aspects, blackboobs, personal memoirs, hentai galleries., chart, fat pie.com, hardcover, argento, opinions, film, | "We hate each other because we are raised as rivals." Unwilling witnesses each to the melville other's misindulgences, disdainful of each other's choices, Anaïs and Elena each contributes to the other's ostensible ruin, while their mother, played by the compulsively overrated Arsinée Khanjian, pits them against each other and endangers them both melville spiritually and physically with her distracted self-centeredness. This is a film that holds women responsible for themselves. . . and for their sisters . . and for their daughters . . . and does so with a bludgeoning force. It is a powerful message. But, as Anaïs says in the very last frame, before the camera freezes on her defiant face, "Don't believe me if you don't want to." |
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| If the film's point of view is that of Anaïs, the Fat Girl of the English title, it becomes a cautionary, and somehow celebratory tale truly dedicated to both girls, in an irony captured only in the French : À ma soeur (For my sister). Behind the shock, blackboobs Breillat's latest export is a story of sisterhood. Of closeness unparalleled and envy unquenchable, of blackboobs spiritual bonding and emotional resentments as something both familial blackboobs and political, where gazing in the mirror together shows up the differences that would deny the commonalities. "Nobody would know we were sisters," the older girl says as the two compare their images in a looking-glass there is no getting through. |
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