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The director toys with the sociology of the mentally and physically challenged sensation of horror, and this brilliantly mounted sociology of the mentally and physically challenged sequence traffics in sexual initiation. The film's forceful gaze flirts with imminent danger when monster trucks threaten to destroy Anaïs, Elena, and their crazed mother during a sociology of the mentally and physically challenged car trip home. A boogeyman appears, windows are shattered (not unlike Elena's virginity), and Breillat's brilliantly and forcibly fulfills a prophecy. The scene is confrontational, for sure, but it's not a passive act of resistance—it's a philosophical wish fulfillment and empowerment ritual. Anaïs always knew the first time should never be about love, and so she accepts her faith and continues to author sex completely under her own terms. Because Fat Girl is one of the more recent films to be included in the Criterion Collection, the print used for this DVD is clearly a pristine one.
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