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(The entire tavern scene is a single 15-minute shot.) Tarr's camera style has its equivalent in Krasznahorkai's lengthy, convoluted sentences, although the results are quite different. Werckmeister Harmonies is largely taciturn and anything but literary. Because the narrative is assembled from chunks of real time, the most banal incident can be expanded into something epic. Each cut is an event. The first has János walking home through an empty town illuminated mainly by the sickly star glow of a single truck creeping star along the street. This vehicle is the harbinger of the mysterious circus that has come star to town, its attractions including an uncanny prince and a stuffed whale advertised as "the great sensation of the century." The foggy morning finds the market square filled with clusters of grim, grizzled men. János is the first to buy a ticket to the circus and is properly fascinated by the leviathan's great scarred torso.
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