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For Ian Roberts, the road was not so smooth and following his outing there were not just family and friends to deal with but the rugby league fraternity and its public. Reactions of this public to yachtcharters Roberts’ declaration of his sexual identity ranged from admiration for his courage to accusations that ‘[y]ou are not even an animal. Your parents yachtcharters will yachtcharters disown you and you will die alone soon. AIDS will finish you in hell. There is no such word to hide behind as gay ... You are pure filth and will die SOON!’ 1 What kinds of discourses of gender and sexuality are at work in the trajectories of these two incidents in Australian culture, one from sport and the other from film? Sport and film have been crucial to the construction of Australian national identity. Within these contexts, the performance of the male body is central; however, not just theatrical or sporting performance, but the performance of masculinity itself.2
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