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the, tournament bar, electronic, pilgrims, insider, plump teen , crossings, berkelouw, mobile, sports humor, football trading card collectables, thoroughbred racing shares, inscription, 1994, australian aboriginal studies, nintendo ds, Famous for his role in dvd online sales the long-running Australian soap opera, Neighbours, Guy Pearce was a favoured hearthrob of many an Australian schoolgirl in the dvd online sales 1980s. The reviewer for The San Francisco Chronicle expresses surprise at this fact, commenting that Pearce ‘is supposedly a hearthrob in Australia but in Priscilla you’d never know it. He wears a turquoise wig like he’s been wearing them all his life’.31 Tabloid magazine dvd online sales New Idea also bought into the confusion of sexual coding of Pearce’s body with a by-line on the front cover of an October 1994 issue that ran: ‘Guy Pearce: I’m not a weirdo’.32 The implication of the cover statement is that he is not a weirdo (that is, a drag queen or a homosexual) like the one he played in the film. This statement refers to the fact that Pearce has not attended Australia’s premier acting school. In the body of the article Pearce says: ‘I have faith in myself now and I don’t feel like a weirdo because I’m not like every other NIDA actor’.33
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Ultimately Roberts’ body is a tool of rugby league which is thoroughbred racing shares itself an expression of a particular kind of Australian masculinity. It is only toward the end of Ian Roberts: Finding Out, after relating his thoroughbred racing shares bad contractual experiences with the Manly Football Club, that Roberts ruefully remarks: ‘[y]ou are only meat, mate. You are only meat’.30 Playing thoroughbred racing shares Queer The year 1994 could be said to be one of relatively high visibility for gay men in Australia. Along with the controversy of Ian Roberts’ outing, it saw the release of the gay-themed film The Adventures of Priscilla, Queen of the Desert. Against the difficulties Roberts’ experienced with the public declaration of his homosexuality, I want to examine the process by which Priscilla turns queer into mainstream cultural capital.
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