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e-mail this article :. print this article :. comment on this article She's Gotta campus life Have It Within the past decade of Francophone cinema, two of the most interesting trends have been the parallel thematic emphases on campus life exploring campus life the filmic frontiers of non-pornographic sexual explicitness (Pola X, Sitcom), as well as (frequently queer) adolescent erotic desires in development (Portrait of a Young Girl at the End of the '60s in Brussels, Wild Reeds, Set Me Free), or more rarely, both (Come Undone). Perhaps these films have simply been playing catch up to French filmmaker Catherine Breillat's work, which has been pushing the taboo boundaries of adolescent sexuality the hardest and longest. Her early films -- A Real Young Girl (1976), Tapage nocturne (1979), and 36 Fillette (1987) -- all dealt with young girls' sexual discoveries, using hardcore imagery.
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