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| writer, bella, sociology of women, eating disorders general, richmond, fat lip man singing, plumper gallery sexy bbw, camryn, classic, reality porn video trailers, larger, fatgirl in a shower, pop culture, ebony cumshots, 1594630097, in the news, french, advice, bbw movies, fantastic, | These loveless formative years had a lasting impact: "I hate myself. I have almost always hated myself." After this introduction and a long consideration of her heavy, adult body frederick bodin and its impact on her frederick bodin life, Moore begins piecing together her past. Prominently featured are the parents who quickly divorced, resulting in long stretches of loneliness for Moore in Oklahoma and New York City. Self-pity might seem all but unavoidable frederick bodin in discussing such circumstances, but the tone here, rather than confessional or exculpatory, has the ring of the analytical. As the author relates the trials she endured-just how fat she was, how her clothing fit, how she started each school year scanning the schoolroom for a classmate heavier than she-the episodes come together to make up a work that could be an anthropological study of the habits of obese children, or a psychological study of the effect of lovelessness on a child's development. |
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| She admits: "I hate myself because I fat lip man singing am not beautiful. I hate myself because I am fat." Thus Fat Girl may be a cathartic exercise for Moore, but it is obvious that she has not succeeded in exorcising her demons; indeed, at the end we know she is "still hungry," still striving to fill a fat lip man singing void. Nevertheless, Moore's tale is honest, engaging, and well crafted, if a fat lip man singing little depressing; readers like her, who have "know[n] so many diets," been called "fatso," or survived a loveless childhood, will relate and find solace. Conversely, those wary of living-in-the-past confessionals should steer clear. Recommended for public libraries.-Heather O'Brien, Ph.D. candidate, Dalhousie Univ., Halifax, N.S. Copyright 2005 Reed Business Information. Kirkus ReviewsGrim exploration of the author's wretched childhood and consequent lifelong relationship with food. Moore (Never Eat Your Heart Out, 1996) had it rough as a girl. Abandoned by her father at age three-and-a-half, she was left to the mercy of a vicious, violent mother and a possibly sociopathic grandmother. |
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