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movies, pretty plump, songtext, hentai, television, message, fatties, waitresses, extreme, exploitation, videoon demand adult, freegroup sex pics, magazines, a ma soeur!, funnypictures, scary, video on demand porn, | A work of bold irrationality words to music and highly questionable taste, Fat Girl is as fascinating as it is discomfiting and as intelligent as it is primal. From first shot to last, France's foremost bad girl has made an extremely words to music good movie—and maybe even a great one. Béla Tarr's Werckmeister Harmonies, opening Friday at Anthology, is a totally sustained immersion in the magisterially bleak, voluptuously monochromatic, undeniably words to music beautiful universe of muddy villages and cell-like rooms that the Hungarian filmmaker has created in collaboration with reclusive novelist László Krasznahorkai. Three years in the making, this follow-up to the pair's epochal Sátántangó opens in a rural tavern frequented by stupefied sods. Just before closing time, young János Valuska (Lars Rudolph), the resident holy fool, uses some of the locals to dramatize a cosmological model of a lunar eclipse, with the moon hopping past the earth as the earth staggers around the twinkling sun. |
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The girls' own mother gets magazines so upset she smacks handy Anaďs, then packs everyone up and heads back toward Paris in a car that seems to radiate anxiety. Fat Girl's classical structure climaxes with a violent shift in rhetoric—gritty as it is, the movie has no pretensions to kitchen-sink naturalism. The shock ending recasts the idea of initiation, recapitulating much of Breillat's argument—already made tangible for being played magazines out on the bodies of its female cast members—in a particularly visceral form. However disruptive, the gothic horror of magazines the finale has been carefully set up from the movie's opening scene. (This is a fiction in which a number of characters are granted their wishes.) Steeped in unconscious aggression as it is, the climax is also readable as Anaďs's fantasy, but this possibility doubles back on itself. "Don't believe me if you don't want to" are the fat girl's final words as the image freezes on her stubborn glare. |
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