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| movies, pretty plump, songtext, hentai, television, message, fatties, waitresses, extreme, exploitation, videoon demand adult, freegroup sex pics, magazines, a ma soeur!, funnypictures, scary, video on demand porn, | This vehicle is the harbinger of the mysterious circus that has come to town, its attractions including an uncanny prince and a stuffed whale advertised as "the great sensation of the century." The foggy morning finds the market square filled with clusters of grim, grizzled men. János is fat man ozone singing the first to buy a ticket to the circus and is properly fascinated by the leviathan's great scarred torso. Meanwhile, fat man ozone singing another mysterious presence, "Auntie" Tunde (Hanna Schygulla), has returned home and recruits the increasingly crazed János as a fat man ozone singing messenger-boy spy in the service of the political movement she's establishing in cahoots with the local police chief. There seems to be a prerevolutionary atmosphere, or maybe a growing panic, as the prince's appearance is announced and canceled and the square becomes the site of threatening bonfires. |
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| This intimation of celestial order is echoed by the film's title—it's named for the 17th-century organist and musical theorist Andreas Werckmeister, who divided the octave into 12 equal tones to create a system of major and minor notes. (Order is generally fraudulent in this world. We a ma soeur! eventually meet a villager who wants to correct Werckmeister's "mistake.") Like Sátántangó, Werckmeister Harmonies is a work of bravura filmmaking—mainly a series of extremely long, largely mobile takes, edited without the normal pattern of shot-countershot. (The entire tavern scene is a single 15-minute shot.) Tarr's camera style has a ma soeur! its equivalent in Krasznahorkai's lengthy, convoluted sentences, although the results are quite different. Werckmeister Harmonies is largely taciturn and anything but literary. Because the narrative is assembled from chunks of real time, the most banal incident can be expanded into something epic. Each cut is an event. The first has János walking home through an empty town illuminated mainly by the sickly glow of a single truck creeping along the street. |
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