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She doesn't rush the sexual encounters between Elena and Fernando, and uses a series of abnormally long, unbroken shots to present these, adding an additional layer of realism. During the movie's songtext final third, as events songtext move towards their conclusion, she develops a burgeoning sense of menace that serves songtext the finale well. Breillat is less certain when it comes to things like foreshadowing - in at least one instance, she is too obvious. Fat Girl's ending, which is steeped in the blackest of ironies, may be unnecessarily sensationalistic. For a movie that is believable for most of its running time, such an over-the-top conclusion seems out of place. Without question, it drives home a point, but the price may not be worth the benefit. Couldn't Breillat have accomplished the same aim without compromising the tone of an otherwise insightful and perfectly-pitched motion picture?
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