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Anaïs, meanwhile, witnesses the entire proceeding from her bed opposite, sharing her sister's shame and emotional confusion. However, the tail end of the film swerves off into a surrealistic netherworld that undoes all the potential chunky chicks good the film could have mustered. Here, we are subjected to what appears to chunky chicks be the protracted setup for a tragic ending, as the two girls and their mother drive down the oppressive highways on their journey home. The mood is sombre after Elena's exploits are revealed to her parents, and with their father previously chunky chicks abandoning them, mother is increasingly erratic in her driving, with the massive bulk of semi trailers looming over them. But the brutal coup d'etat is yet another bolt out of the blue, which, regardless of whether it is only the visualisation of Anaïs' subconscious desires or supposed to represent events occuring in reality, seems to exist more for its shock value than anything else.
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