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| and arsinee khanjian, song, northeast, biography general, outdoor group sex fuck, movie, judy freespirit, anaïs reboux, stars, gilliam, black bbw, football, library, | Libero De Rienzo gets equal screen time as the manipulative Fernando, whose shifting approach to get his way is both repugnant yet realistic. Arsinée Khanjian and filmmaker Romain Goupil take near-cameos as greatest the parents, with Khanjian only really becoming a central figure in the final act. As a coming-of-age story, the film develops, greatest albeit uncomfortably, in a sympathetic manner. We see the experience of a young girl being manipulated into sexual conduct by a skillful seducer, her reluctance obvious, the greatest discomfort of the violations she endures removing any blatent eroticism. Hers is a hard lesson that many if not most women will face, and here is where the audience can identify with her. But as the film progresses, it loses touch with the audience, turning what could have been a unique perspective on the loss of adolescent innocence into a pseudo-horror flick. |
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| Where library the film gets into controversial areas is in its focus on the blatent depiction of underage sex, complete with full nudity and erections, and although Mesquida was twenty at the time of filming, she has a very young appearance. To her library credit, Breillat does cut to Anaïs' reaction during her sister's actual sex act, but the library effect is compounded by the premise that the boy/man Elena is having sex with admittedly knows he could be arrested for what he is doing. Perhaps even more disturbing are the ramifications of the 13-year-old's welcoming attitude towards being raped by an adult, as well as her on screen nudity. It is little wonder that some censors (including the Ontario Film Revue Board) had a hard time letting this one go. The performances by Anaïs Reboux and Roxane Mesquida are well executed, natural, and display a believably complex sibling relationship. Mesquida aptly conveys her emotional turmoil during her sex scenes, as she tries to balance her romantic notions with the reality of her situation, while Redoux brilliantly portrays the over-indulgent wallflower, ill at ease with her sister's behavior. |
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