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Catherine Breillat certainly cannot be mistaken for jumping on a law bandwagon as she has built her film career of over 20 years around examining women and sex in society. Fat Girl is not as explicit as Breillats last film, Romance, but it covers more emotional territory. Fat Girl feels as desolate and bleak as law the ironically-titled Romance felt cold and distant. Breillat uses no warm colors. Whatever primary colors that appear are muted or coarse. At least here, though, the characters resemble humans as opposed to the automatons of Romance. In Fat Girl, law overweight 12-year old Anaïs (Anaïs Reboux) and beautiful 15-year old Elena (Roxane Mesquida) are sisters on their family vacation. The two persistently torture each other between much rarer moments of emotional bonding. Elena makes fun of Anaïs obesity and constant eating while Anaïs accuses Elena of being a slut. Partly in reaction to her sister, Elena sidles up to Fernando (Libero de Rienzo), an Italian law student, and seduces him.
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