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She is like a French version of Lars von Trier except the biggest star she can get to work bellaonline for her is Rocco Siffredi. But why did I enjoy the film the first time I watched it, untainted by knowledge of Breillat’s manipulative nature and unable to make comparisons with other, perhaps better explorations of similar themes, and bellaonline why was I bored by it the second time around? Apart from the obvious answer that any shock value the film holds for the first-time viewer is spoiled on subsequent viewings, I would have to bellaonline say that it is the fearlessness and utter strangeness of the performance of Anaïs Reboux, the titular fat girl, that makes this film worth watching more than once. To know that she was essentially a puppet controlled by her director during production makes her no less fascinating to watch and no less impressive in her interpretation of a very unlikable, unsympathetic, and plainly fucked-up little girl. Watching her mashing a banana split into her mouth with solipsistic glee, pretending to make jealous a pair of lovers represented by two swimming pool ladders, or simply lying in the surf like a sunning sea lion is to watch a performer totally at ease with her body and confident of her talent.
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