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Catherine Breillat's notions of perseverance are at once serene and unnerving, so much so that love becomes indistinguishable from rape. Anaïs (Anaïs Reboux) is the titular fat girl, a poised creature who repeatedly engages and teases the spectator's morality. Key here is how Breillat expertly forces the audience to look kinky lesbians at the world through the girl's point of view. Her sister, the gorgeous Elena (Roxane Mesquida), is a tart in the making ("You reek of loose morals," Anaïs tells her). Young but stoic, Anaïs vigilantly clings to kinky lesbians her virginity the more Elena's is threatened. Anaïs knows that she kinky lesbians will spare herself a lot of pain if she looses it to someone she doesn't love, which makes the film's final act of penetration as shocking as it is perfectly sensible. The film's brilliance lies in its deceptive simplicity, its unhurried evocation of sexual innocence at risk. During her family's summer retreat, Anaïs goes swimming and contemplates a relationship between a wooden diving board and the pool's metal ladder.
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