Breillat’s approach to the minors fatgirl angle shot

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Breillat’s approach to the sex scenes fatgirl angle shot in Fat Girl is in line with the “real-time sex” on show in the new slate of films, a strategy she pioneered in 36 fillette. Feminists have long argued that the “male gaze” in classical cinema is achieved in part fatgirl angle shot through the fragmentation of women’s bodies; Fat Girl eschews such images. The slow pace of the scenes, their dispassionate style and brutal precision, disengage us, denying eroticism. Breillat also distances us from the action and avoids voyeurism through Anaïs’s gaze, which mediates the seduction and fatgirl angle shot ultimate humiliation of her beautiful sister. 1 2 3 4 The Virgin SpringLa bête humaineKind Hearts & Coronets 3 Films by Louis MalleMarchLacombe Lucien MarchFists in the PocketApril The Eighth Samurai: Tatsuya Nakadai Roger Ebert on Do the Right ThingChuck Stephens on Crazed FruitMichael Raine on Crazed Fruit Suspense: French styleDirector ApprovedGeorges Delerue Nicholas Schager, www.dvdangle.com
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