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plump up , urban, aus.tv, composition, animals, bonville international resort, fatty acid molecule , victoria, koalas, plump fiction , 2004, sports humour, audio, australian, reference, Oedipus Rex it aint, but there are many moments in this film when you're just wishing for Han and Chewie to come from the clouds in the falcon and make the become a racehorse owner situation right again. As Lucas promised, all gaps in the storyline were filled and it's certainly going to make interesting viewing watching the original series over again.More importantly, this film unlike the two that preceded it actually feels like become a racehorse owner a Starwars movie. Maybe it can be become a racehorse owner put down to John Williams reviving some of the classic orchestral motifs from the original films. The Imperial march, Luke's theme, Leia's theme and my personal favourite - the swoonsome Yoda's theme all make an appearance this time around. There are still a few things that make it a bit un-Starwars-ish like seeing Jake the Muss's head on screen every five minutes (Temuera Morrison still plays the clone-type for the Stormtroopers) and hearing the odd Aussie/Kiwi accent.
dark. Very dark. Whilst the over use of CGI is still a problem, Lucas has somehow managed to use the aus.tv technology the way it was meant to be used and blasts your senses with an all encompassing cacophony of light, noise and teeth-shattering vibrations FROM THE GET GO. This is probably the best beginning to ANY of the Starwars films as it doesn't dick around - it just launches straight into the aus.tv good stuff.The acting is marginally better though not by much. Ian McDiarmid aus.tv is superbly evil as Sidious/Palpatine and McGregor, whilst still sounding nasal and stiff, somehow manages to give Kenobi more "oomph". Natalie Portman? Well, she's just one of the hottest things on the planet (aesthetically) so I don't care how badly she acts in this film (she's shocking). Hayden Christensen "goes evil" very nicely but still sounds like a prat when he is trying to be "good".Its strength lies in its morbidity. As clichéd as it sounds, it DOES play out like a Greek tragedy.
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