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This humorous exchange is both the means daily by which the young Anaïs prepares herself for the complications of sex and love and displaces her frustrations and desires. Though she understands that she is too young for sex, she nonetheless builds a body-politic should sex happen before its time and under someone else's terms. Consider then daily the film's audacious, central sex scene as a kind of boot camp. The handsome Fernando (Libero De Rienzo) courts Elena while Anaïs keeps passive watch over daily her sister's tragic deflowering. Fernando's games are familiar and the genius of this twisted sequence is the way Breilliat dares the spectator to buy into the boy's lies. Fernando, though clearly controlled by his rock-hard erection, professes his love for Elena. His persistence is perhaps as tiresome to us as it is to him, but is there a chance that he may be earnest?
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