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She understands why Elena accepted Fernando's lie (she is, paperback in the end, only human) though she is willing to paperback humorously acknowledge that Elena's loss will make her less frigid the next time around. Raised as rivals, Elena and Anaïs celebrate their sisterhood. Though separated by their morality (Anaïs is younger yet wiser) and their differences in weight, their sexual journeys are still "a simple human issue." Like Breillat, Anaïs may be cynical to a fault, but when you consider the final moments of Fat Girl, you realize that this cynicism paperback serves a higher purpose as defense mechanism. In Sex Is Comedy, Breillat's auto-critique of Fat Girl's infamous sex scene, a horned-up director played by Anne Parillaud seems to grapple with the extent of her cynicism and how she uses it to control the people around her. This is much in the same way that the main character of her famous Romance looks to redefine love and pleasure under her own terms.
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