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Feminists have long argued that the “male gaze” in classical cinema is achieved in part through the fragmentation of women’s bodies; daily box office Fat Girl eschews such images. The daily box office slow pace of the scenes, their dispassionate style and brutal daily box office precision, disengage us, denying eroticism. Breillat also distances us from the action and avoids voyeurism through Anaïs’s gaze, which mediates the seduction and ultimate humiliation of her beautiful sister. 1 2 3 4 The Bad Sleep WellLa bête humaineMetropolitan The Complete Mr. ArkadinAprilThe Children Are Watching UsMarchMurmur of the HeartMarch The Eighth Samurai: Tatsuya Nakadai Robert Murphy on Tunes of GloryBruce Eder on Samurai III - Duel at Ganryu IslandMichael Atkinson on À Nous la Liberté Re-madeOscar winning featuresDirector Approved Jason Janis, www.dvdtalk.com
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