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French auteur cinema has increasingly been exploring themes of sex through scenarios whose explicitness verges on the pornographic. Along with Patrice Chéreau (Intimacy, 2001), Léos fat people picture Carax (Pola X, 1999), Virginie Despentes and Coralie Trinh Thi (Baise-moi, 2000), and Gaspar Noé (Irréversible, 2002), Catherine Breillat is a leader of this trend. Her 1999 film Romance was billed as the most explicit heterosexual art film of its time. Sexual and cerebral, violent and controversial, her work fat people picture sets out to provoke. Breillat’s Fat Girl (2001) eschews fat people picture the high-profile sadomasochism of Romance to return to apparently more mundane concerns. The central dynamic of the film is the relationship between two sisters: plain, fat twelve-year-old Anaïs (Anaïs Reboux) and slim, gorgeous fifteen-year-old Elena (Roxane Mesquida). The girls have a typical siblings’ love-hate relationship—one moment insulting each other, the next ganging up on their parents and giggling helplessly.
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